Step 4 · Close the gap with the reference
Don't say "make it better". Make it compare the generated deck against the reference image, diagnose the gap itself, and then fix it directly.
The official tutorial puts it well: this self-comparison loop is often the moment the deck starts to feel designed rather than merely generated.
Why this works
"Make it better" has no reference object. The model has to guess which dimension you meant — colour? spacing? type? Guess wrong and you say it again.
Give it a reference and the problem becomes diagnosable: the type contrast here is 1.4×, the reference is 3×; every slide has the same whitespace, the reference alternates dense and open. Concrete gaps have concrete fixes.
This is also why step 1's image has to be kept. It isn't only for choosing a style. It's the ruler for the entire second half of the workflow.
The prompt
Here is the original reference image again.
Compare the current deck against it. Look at:
1. Layout structure
2. Type scale and personality
3. Colour palette
4. Spacing and alignment
5. Visual hierarchy
6. Texture, depth, and atmosphere
7. Whether every slide belongs to the same design system
Don't just tell me what's different. Improve the deck directly.
Use everything you have — design and code — to close the gap, while
keeping the deck readable and editable.
Then summarise:
1. What you changed.
2. Which slides improved most.
3. What still needs a human to review.Why these seven
Between them they cover the whole distance between "designed" and "assembled":
| Dimension | What weak looks like |
|---|---|
| Layout structure | Every slide is title-plus-body, no variation |
| Type scale and personality | Heading and body barely differ |
| Colour | The reference's colours are there, but the ratios are wrong |
| Spacing and alignment | Elements float free of any shared baseline |
| Visual hierarchy | Three things equally weighted; nobody knows where to look |
| Texture and depth | Entirely flat where the reference had grain and layering |
| Same design system | Slide 3 and slide 8 look like different authors |
The last one fails most often. Generating many slides, an agent tends to optimise each locally, and the deck stops reading as one object.
"Don't just tell me what's different"
Keep that sentence. Without it, most agents return a diagnosis and stop, waiting for you to say "go ahead then" — a round trip that costs you time and credits for nothing.
"Readable and editable"
Keep that too. Told to use everything it has, an agent has two characteristic ways of overreaching: converting text to images for finer layout control, and stacking effects until the text stops being readable. That clause is the boundary.
What to check afterwards
In its summary, item 3 — what still needs human review — is the most valuable. It's usually where it wasn't sure either.
Then look yourself:
- [ ] Does it read closer to the reference's register?
- [ ] Was readability sacrificed for resemblance (type too small, contrast too low)?
- [ ] Did any slide get worse?
- [ ] Is the text still real text?
- [ ] Is there density variation now, or is every slide still the same?
A second pass is allowed
This step repeats. Make round two narrower:
Compare again. This round, two things only:
1. Type scale. The heading-to-body contrast in the reference is far
stronger than what we have. Push it — body can go smaller, headings
larger.
2. Density. Every slide currently carries the same amount. The
reference alternates full slides with nearly empty ones. Redistribute
by importance and give the key slides more air.
Change nothing else."Change nothing else" earns its place. Without it, round two may quietly re-lay-out what round one got right.
Where it goes wrong
| Trap | How it shows | Fix |
|---|---|---|
| Diagnosis without action | You get a report | Keep "don't just tell me what's different" |
| Text becomes images | Nothing selectable | Add "keep all text as real text nodes" |
| Each pass gets busier | Decoration overtakes content | State that readability outranks visual impact |
| Too much in one pass | Some slides better, some worse | Split into rounds of one or two dimensions |
Next
Step 5 · Real logos and brand assets — the visuals are there; credibility is next.